In Airline Memories, I share aviation items and curiosities from the long history of commercial flight. You'll see everything from ephemera to souvenirs and other branded items from various U.S. airlines. If you have a request or anything else to share, leave a comment or contact me directly. Today I have a circa 1969 ticket jacket from Piedmont Airlines. Piedmont was at one time one of the biggest and most successful regional carriers in the U.S., and was eventually bought by USAir in 1989.
So I'm bopping along, looking through 40-year-old Sears catalogs, as I am wont to do, when something catches my eye. No, not hideous fashion or vintage toys, although I certainly find plenty of that. I'm talking about a something altogether different. Tucked away on page 543 of the 1969 Fall/Winter catalog is an item that you might miss if you focused on the rather, um, interesting vintage baby car seats. See if you can find what I'm think of on this "Travel Time" page... Did you see it? Nope, not the car seats. It's item #6, listed as the "Steel Travel Platform," and it is a lovely relic from the golden age of Mid-Century Baby Travel. (more…)
It's time for a little Associated Press wire service photo trivia! Here is the original image, with the caption information removed. Take a moment and ponder. What could this be? A new miracle drug perhaps? Space Age food capsules? Hmmmm. OK, give up? After the jump is the original AP photo, with the caption information. (more…)
Would you like to add a little funk to your Sunday Jazz? Good, 'cause I'd like to as well. Here's one of the best cuts off of Herbie Hancock's inspired 1969 LP, Fat Albert Rotunda -- "Wiggle Waggle." Instead of blathering on about this excellent disc myself, I'll let AllMusic Guide's Richard Ginell take it from here: Centered around some soundtrack music that Herbie Hancock wrote for Bill Cosby's Fat Albert cartoon show, Fat Albert Rotunda was Hancock's first full-fledged venture into jazz-funk -- and his last until Head Hunters -- making it a prophetic release. At the same time, it was far different in sound from his later funk ventures, concentrating on a romping, late-'60s-vintage R&B-oriented sound. with frequent horn riffs and great rhythmic comping and complex solos from ...