Tag: Billy Joel

Pop Culture Capsule — January 1-7, 1984

Pop Culture Capsule — January 1-7, 1984

Capsules, History
It's a brand new year, so what better time to look to the past, right? Well anyway, I'm going to do it and I hope you'll join me for yet another pop culture capsule. To start off this year's capsules, I'm taking us back 30 years and putting us knee-deep in the 1980s. By this point in American popular culture, the last vestiges of the '70s have been shed and we're smack dab in the middle of the Reagan Era. For those of you on Spotify, a lot of the tunes listed here are included on some of my Ultimate '80s Hit Collection playlists. Specifically, the ones for 1983 and 1984. Top 10 Movies 1. Terms of Endearment ($11.5 million) 2. Sudden Impact ($9.6 million) 3. Scarface ($5.6 million) 4. Yentl ($5.5 million) 5. Uncommon Valor ($5.2 million) 6. Two of a Kind ($5 million) 7. Th...
So fresh — 10 Billy Joel songs that will never get old

So fresh — 10 Billy Joel songs that will never get old

Music
If you came here expecting or hoping to find an article bashing Billy Joel as an overrated, mediocre pop songwriter, you've come to the wrong place friend. I happen to love the man's music -- most of it anyway -- and think he takes an unfair slagging from hipper-than-thou music critics and fans. Sure, he hasn't exactly helped his case with his less-than-stellar later material and his troubled personal life. But buried in 13 studio releases are some of the best pop music of the '70s and '80s. I've gone through those albums -- having listened to them for years -- and picked ten songs that represent Joel at his best. I've tried to avoid including his biggest hits, although in some cases those are his best songs. Enjoy! 1 -- "Don't Ask Me Why" (from Glass Houses, 1980) This is the tune...
New Adventures in Hi-Fi: My Journey Into R.E.M., Part 4

New Adventures in Hi-Fi: My Journey Into R.E.M., Part 4

Music
When I started this series I honestly had no idea R.E.M. was on the threshold of releasing yet another studio album, Collapse Into Now. And as much as I would love to check out the new album, I think I'm going to hold off for a bit. I'd like to continue down the path I started in order to get a better perspective of their output so I can approach the new record with more than an outsider's mindset (unlike what I had when I reviewed Accelerate). We're up to album number five, Document. It's the last studio disc R.E.M. released on the I.R.S. label, and it is the group's first major commercial hit. My first thought as "Finest Worksong" got underway -- HELLO big rock production! My second thought -- Hey, so that's what Michael Stipe sounds like when he faces the microphone! Document ...
Shuffle Along (aka Name That Tune) – week of 8/23/10

Shuffle Along (aka Name That Tune) – week of 8/23/10

Music
OK kids, I'll be pretty busy this week so to pass the time I'm going to throw out more lyrics for you.  It's simple: name the song and the band, and win nothing!  And no cheating please, there's enough dishonesty in the world today. 1. "In the thirteen months I've spent here / with my manuscript and rhymes / I've paid in case for foolish pleasures / mother dear you'd call them crimes" 2. "Like a gangster / on the run / you will stagger homeward / to your precious one" 3. "Don't give us none of your aggravation / We had it with your discipline" - Elton John, "Saturday Night's Alright for Fighting" (via Facebook comment) 4. "Fifteen years in the academy / he was like no cadet they'd ever seen" - Anthrax, "I Am the Law" (Raiden2332) 5. "Don't be afraid / I didn't mean to scar