It is tempting and easy to interpret the meaning behind the track order and title of Robert Glasper's latest album, Double Booked, as being a presentation of the artist's two separate sides - jazz and hip hop/R&B. Certainly, given that the first half of the record is billed to the Robert Glasper Trio while the second is credited to the Robert Glasper Experiment, that conclusion seems inescapable. But to look at it this way would be to miss the statement that Glasper has been making with his music since his 2003 recorded debut, Mood - jazz, R&B, and hip hop are not disparate elements to be combined or mixed by Glasper for mere novelty or effect; they are both integral and inseparable parts of his artistic vision. It's that vision, combined with his prodigious talent, that mak
This has been making the rounds for a few weeks, but I just heard it today. It's the lead single and title track off the next Roots album, How I Got Over. This has already been played on Jimmy Fallon's awful show, so I guess I'll have to find a clip. Nice. The groove is undeniable, thanks in large part to ?uestlove always tasty drumming. That's Black Thought singing on a few verses, with better-than-expected results. I have no idea if this R&B style is the direction the new album will take, but I like it already.
Since time immemorial, mankind has approached the future with a mixture of wonder and fear. From primitive days to Biblical times, and even in our modern, sophisticated age we have imagined ourselves either ascending to the pinnacle of enlightenment and peace or descending into a living hell on earth. Somewhere in between those two extremes lie the visions of the future shown in music videos. These glimpses into our possible futures show us what most likely lies in store for us - a world that is bleak and hopeless, but still has a pretty kickass soundtrack. Kiss - "All Hell's Breakin' Loose" The scenario: This is pretty much your stock "post-apocalyptic rock world" video as you'll soon see. Dirty streets, lots of fire, and desperate women in tattered clothes are all in abundance he
Alright, it's time to get out of the '70s for a bit on this series and get a little more current. As in almost to the 21st century. I'm not usually a fan of using historical photographs on album covers, but this one - from the Roots' classic 1999 album Things Fall Apart - is just so striking. The image was taken in the 1960s as riot police in Bedford-Stuyvesant chased down two black teens. And although the album title actually comes from a 1958 novel by Chinua Achebe, it is brutally appropriate given the cover image.
While everyone else is out buying a copy of the new Lil Wayne album, Tha Carter III, I'm casting my lot with this future classic: Look for the new single, "Moonshine-flavored Lollipop", coming soon to iTunes! (for a little background, get thee to Wikipedia)
I'm not sure what the origin of the whole "desert island" thing is when referring to music, movies, and other stuff you really like. Why not a tropical island? That one Tom Hanks got stuck on in Cast Away seemed pretty nice, didn't it? Oh right, the point. So apropos of nothing, I recently participated in a fantasy draft on a favorite message board of mine. But instead of drafting a sports team, we picked from a list of every song that has ever reached #1 on the Billboard Hot 100 chart, now in its 50th year. The only catch was that each team had to select at least two songs from each decade ('58 - '69 was lumped together). That made things interesting, because the pickings for truly good #1 songs started to get real slim starting in the 1990s. Overall I'm pleased with my team,...