The Zombies -- Breathe Out, Breathe In (Red House) Well this was surprisingly pleasant, although nowhere near the greatness of the original incarnation of the group. The opening title track is a dead ringer for latter day Steely Dan, which isn't necessarily a bad thing. But that's not really the Zombies that people are expecting to hear, is it? Still, it's clear that founding Zombies Colin Bluntstone and Rod Argent -- who receive featured billing status on Breathe Out, Breathe In -- still have plenty of songwriting gas left in the tank, as evidenced by strong songs like the prog-tinged rocker "Another Day," the delicate and melodic "Any Other Way," and the surprisingly effective and overtly religious "Christmas for the Free" -- the last of which comes damn close to recreating the vinta...
In celebration of two new CDs from New Amsterdam Records, four of the label's acts took to the stage last Friday night at Joe's Pub, located in New York City's Ã¼ber-artsy NoHo district. Despite having already heard music from three of them, I still wasn't sure what to expect from the evening. After all, classical guitarists and modern chamber groups are not the types of shows I usually see in the Big Apple. The evening got off to a rather interesting start as, one by one, the three members of opening act Janus took the stage and contributed a few lines to a spoken word loop that comprised the vocal foundation for a piece called "I Am Not (Blank)". It was a rather startling way to begin a performance to say the least. The trio's style (comprised of viola, harp, and flute) is not for
From two completely different ends of the musical spectrum comes a pair of albums - one new and one upcoming - that both get the coveted GFS stamp of approval. First up is the self-titled debut EP from Build (New Amsterdam Records, 2008), a Brooklyn-based indie classical quintet formed in 2006. Now I know what you're thinking: "Classical music? Boring!" Stop thinking that, you're wrong. This are modern, tuneful compositions that bears precious little resemblance to your father's classical music. For those familiar with Penguin Cafe Orchestra, Build takes a similar approach to their music. It's never stuffy or rigid, although it's far from poppy or light. Composer/violinist Matt McBane has written five songs that are challenging enough to reward multiple listens, but aren't
OK, so maybe this one is a bit literal, but it's just weird enough to be cool. It's the cover for 1981's self-titled sophomore album by - you guessed it - Penguin Cafe Orchestra. The artwork, by Emily Young, closely resembles that of the group's 1976 debut (Music from the Penguin Cafe), but I definitely prefer the more elegant and aloof look of this one.